COMPARATIVE :: essays papers

COMPARATIVE kor Winslow and Jules Breton, both men painting the canvas of the nineteenth century. Comparing their art gives kindred to numerous differences and unique qualities hidden within their execute and lives. Dressing For The carnival, bell ringer 1877, and The Weeders, Breton 1868, are fine examples of their careers as artists. Beyond the aesthetic merits of his work, Breton is significant as the painter whose vision of French rural life best embodies a set of late nineteenth- century ideals the charm and wholesomeness of rustic ways, the nobility of backup close to the soil, the beauty of preindustrial landscape, and the social harmony of the agrarian community. ( Sturges) Bretons work was unique in content, painting for himself, impressing his personal values to the witnesser. Although he did not fit the mold, by producing classical and historical works, there were other artists attempt with expression and values of a newer mind, artists like Winslow Homer. While he was at work in Petersburg, it became known to a group of fine infantile fire-eaters that he was consorting with the blacks, and they resolved to drive him out of town as a d-d nigger-painter. Word had come to him that the place was to be made too heated up for him, but he paid no attention to the warning. ( Hendricks) Both Breton and Homer were leaders for impressionism, however, the two works mentioned above vary greatly. Both artists focussed on similar subject matter, figures in a scene or landscape. However a closer observation of specific images, narrative, symbols, sources, and process water parting the two pieces to separate sides of late eighteen hundreds paintings. Physical elements such as composition, position of figures in space, brush work, color, viewpoint, and surface treatment all set up to this separation of similar subject matter. The composition of The Weeders is un cropped, fairly balanced and symmetrical. The cozy up is bold, the middle ground is expansive an d the back ground strong and deep. Our view is that of perhaps a weeder on the field. Homers Carnival is cropped and less symmetrical with figures emerging from off the canvas. Less emphasis is pose on use of foreground, in turn creating less depth. Bretons figures lease much movement and expression, women working the field are crouched close to the viewer. far back a woman stands alone, basket full, gaze and body positioned toward the shot sun. The women weeding are bent and tired.